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“Evan Haslegrave doesn’t just shape spaces — he sculpts atmospheres.
His work lives where architecture becomes emotion”
“With an architect’s eye and an artist’s heart, Evan Haslegrave makes the invisible feel structural— his envirnments hum with a quite power”
S I S T E R S
EVAN’S NOTED TRACK RECORD, GUIDING A FULL SPECTRUM OF COMMERCIAL PROJECTS, SCULPTORS, CREATIVE SYSTEMS SPANNING ACROSS INDUSTRIES WITH COHERENCE, PROFITABILITY, AND PERMANENCE.
GWEN
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Tables edged in rosa aurora pink marble and brass rest within a field of dark walnut, creating a quiet sensuality that tempers the primal with the refined.
Custom chairs with carved wooden backs, tailored banquettes, and luminous, architectural lighting introduce warmth and grace.
The result is a space defined by tension and balance—where elegance does not compete with carnality but frames it—an environment whose cohesion and emotional clarity contributed directly to Gwen’s critical acclaim.
ROSA AURA MARBLE HAND BLOWN PINK GRADIENT GLASSS CANDLE LIGHT
At Gwen, Evan Haslegrave authored an architectural counterforce to Curtis Stone’s uncompromising, meat-driven cuisine. The space exposes craft without apology, then recalibrates it through proportion, material discipline, and touch.
Rosa Aurora marble, brass, dark walnut, and precisely tuned light introduce restraint and sensuality without dilution.
Nothing decorates; everything edits. Elegance does not soften the experience—it holds it in tension, allowing intensity to read with clarity.
LAS VEGAS
L A R G E L U X U R Y L O F T
ABOUT
EVAN HASLEGRAVE
Evan Haslegrave is an architect, designer, and creative strategist working at the intersection of architecture, interiors, sculpture, lighting, and experiential systems. His work is defined by a rare combination of 3D modeling and rendering creating with conceptual rigor and hands-on execution—moving seamlessly from early narrative and spatial logic through engineering, fabrication, and final installation.
Across residential, commercial, and experimental projects, Evan approaches design as a psychological and spatial instrument. Each project begins with a clear nucleus: how a space should feel, how it should behave, and how it should quietly guide people through it. Form, material, light, and circulation are treated as a single system rather than separate disciplines.
Evan’s background spans high-end residential design, large-scale custom fabrication, and immersive environments that blur the boundary between architecture and art. He is known for building complex ideas with uncommon clarity—often engineering bespoke solutions. From sculptural centerpieces and lighting systems to fully integrated interiors, his work reflects a commitment to precision, durability, and timeless presence.
In parallel with his design practice, Evan operates as a creative consultant and design strategist for technology and AI-driven companies, helping translate abstract innovation into tangible spatial, visual, and experiential frameworks. He brings architectural thinking to product narratives, environments, and organizational structures—prioritizing clarity, ownership, and execution over surface aesthetics
Evan’s philosophy is simple and uncompromising: ideas are only valuable when they can be built, communicated, and sustained. Whether designing a space, a system, or a story, his work is grounded in responsibility to craft, to users, and to long-term impact.
He is based between New York City.
CONTACT
Architect, designer, artist, and creative strategist known for sculpting experiences that move between the physical and environments of purpose and precision
A Pratt dropout who’s handyman business
under the name “NYCITYSTUFF” won best of service 2006.
It was convincing his first client Natalka, Evan told her existing bar should feel beautiful and different where every decision before you left the house and your face is warmly lit to face each other all night drinking tiny stunning cocktails that had as much glass as straight booze.
Without hesitation Evan named his first visioin
ELSA after the 1920’s fashion designer becuase every one of his works of art have followed suit by the woman who; reframed authorship.
Took intellectual ideas (surrealism, art, humor)
Embedded them into real, wearable objects
Let the work speak before the institution existed
Collaborated openly (Salvador Dalí, artists, thinkers)
Made bold moves that were singular, not excessive
Alphbet city 2006 the drinking nightlife was black bar, black boots, hair- holding the smell of american spirits with the green felt bouncing the 2nd or 3rd light bulb. Every pool table let the que graffiti the tag on the wall “im solids” were about as different as the feeling pamala anderson had faces now - and cocaine then - make a face no one involved listened to or would make sure how fast it was going to be on someones face.
One person heavily involved in the project thought the name ELSA was too familiar, and years later a legal case agreed it was familiar but too familiar, also felt the concept people sitting in a comparatively wouldnt work at all.
With a total investment amount that let the decimal and comma stand or sit anywhere those two odd dots wanted so directly in the way they made the possiblity of ELSA completetly up to Evan and his craigslist carpenter friend willing to work for as many days per wek as he chose doing drugs for a complete redesign and renovation includding all FF&E.
With a proven creator of long-term gravity within teams and companies, Evan’s noted track record, guiding a full spectrum of commercial projects, sculptors, creative systems spanning across industries toward coherence, profitability, and permanence.